It is too funny!
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She just is not looking much like her inspiration, my all time favourite statue by Brian Cooley, formerly on display at the Tyrrell . This is a old promo shot I came across of the original "Lillian" statue from the 80's (which you can tell from the clothes :P)...
My first Mark 2 model never exactly matched the original sculpture either, to be fair. Though I did try my best with my much more limited skills in those days. However my new Mark 5 is a total departure from the sculpture. My more attuned sense of accuracy has led Lillian 2.0 to look more like Mr. Cooley's modern era Albertosaurs he built to replace Lillian for the "new" (to me anyways... as I've been away a while) Cretaceous Alberta entrance to the Tyrrell.
My excuse, I guess could be that my Lillian went on a diet after leaving the Tyrrell and lost all her excess bulk. Especially from around her throat region.
However this raises an interesting problem for me. Do I want my CG Lillian to look like the original sculpture or do I want my own take on the "character"?
I originally turned Lillian into a character wanting to keep something of the statue "alive", as the Tyrrell was in the process of getting rid of it when I left the museum. That statue has always been the face of the Tyrrell to me. We go back a long way. I visited Lillian every year between her unveiling in 1985 all the way up to her departure in 2006... (In good news Lillian was donated to the local high school and thus saved from the dump as I'd feared back in 2006.) My motivation was not to copy Mr. Cooley's work, but rather pay tribute to it.
So what do you think?
Is mine still Lillian enough?
Am I copying Mr. Cooley's art too much?
Can mine survive being the same or different from the original statue?
As a funny wrap up, in case you missed it, here is the behind the scenes origin of how Lillian became Traumador's love interest... It's funny how these things happen. Who knew this one tiny gag would have me worrying so much years later?!?Marianne was nice enough to let me tag along with her for lunch! Which just got better and better. So in addition to getting to talk to her about such things as artist's rights and illustrating mediums, we suddenly found ourselves sitting with many of the other big names of the conference!
This was my meal company! In the foreground is Marianne Collins and beside her is author Judy Horan (I may have gotten her last name wrong, sorry if this is the case). Across from the ladies was Dr. Scott Sampson (who I hope needs no introduction!), and Michael Skrepnick another super heavy weight Palaeo-artist!
This singular event of the day stands as a competitor for my best moment of 2010. Pushing Speed Skating to a close, but separate second.
Among the highlights were getting to hear two professional palaeo-artists talk shop! Dr. Sampson also praised me on my talk, and asked me a couple questions... He was very intrigued by the prospect of post KT Dinosaurs I mentioned from the Chatham Islands north of New Zealand. Something we should all pay attention for coming from either New Zealand or Australian researchers!
The rest of the talks all day were very informative and interesting. Some of the ones that particularly took my fancy included:
A new photography technique that guarantees perfect fossil shots NO matter the lighting in the museum or collections you are shooting in! I'll be giving this a try soon...
What Palaeo-artists have been doing wrong in their reconstructing of Ankylosaurs and Theropod Tails. These were both very relevant to all accuracy seeking Palaeo-artists, and I have made arrangements with the presenters of these talks to perhaps grace ART Evolved with a guest article or two on their subjects!
Dr. Phil Currie gave us a run through of the significant Palaeo-art throughout his life. Starting as a young boy right up into the present. It was a very interesting talk, and among other things I learned that both Dr. Currie and myself were HUGE fans of Edgar Rice Burroughs' Pellicular as children.
The Lost Boys
For the last talk of the day the event's organizers had either a sense of humour or drama. We started the day with my talk about the lost continent of Zealandia, and we ended with Dr. Sampson's lecture on the lost continent of Laramidia. Framing the day with lost continents.
Laramidia if you were wondering (as I was too), is the name of western North America during the Cretaceous, as during this time NA was split into 2 or 3 separated land masses by the Western Interior Seaway.
It was a fantastic talk. Which got better when my talk, due to those aforementioned post KT Dinos, was directly referenced in Dr. Sampson's lecture!
A Piece of Unfinished Business!
The other singular thing I was after (and got anyways) was a long overdue photograph. Through all of my years working at the Tyrrell, I have never successful managed to get a photo of me with Dr. Currie. This could not stand, as Dr. Currie has been my longest running hero since childhood. There were several failed attempts at these throughout the years (but I either never got a copy, or they turned out extremely blurry!).
Sadly this latest attempt was a bit on the blurry side, but it works I guess (till next time :P). Besides the Traumador photos with Dr. Currie turned out brilliantly. So I'm not complaining.
Here is the final version of my New Zealand Dinosaurs I ended up with. Sorry it took so long to post, but due to the time constraints of getting my talk completely together it had to wait.
I ended up reposing the Theropod to make the scene more dynamic and alive (except in the case of what I put in his mouth :P).
As for the talk that it went in. That will be my next post.
Leaving me with one last, but actually easy to fix, problem. In a smaller scale the previous picture leaves the Dinosaurs visible, but devoid of detail. In order to bring them out of the background entirely for the magazine I've cranked up the lighting values to twice the natural level.
I don't like it. Especially in the larger scale. However its all about keeping options open, especially for the magazine.
First on the block is a Spinosaur for the Prehistoric Times...
This is my start. It is just a lighting and plate test. I'm thinking of having this full grown Spino being challenged by something for its fish. Should it be more Spinosaurs? Or a Carnosaur?
I also have to get my talk (and some palaeo art to spruce it up) done for the weekend... As I present it to the Alberta Palaeontological Symposium on Sat. The guest list includes a certain Currie and Sampson... So there is no pressure or anything!!!
I'll be keeping you posted as these progress.
Oh and some sort of Saurian related winter games... I need to start posting those too!
So yeah. By the end of March I'll just be in a coma to recover from it all.
Wish me luck!
| You are often exaggerated and over-the-top in your speech and expressions. You are a romantic at heart and a natural leader. ![]() |